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Auf Netflix befinden sich alle acht Harry-Potter-Filme. Sie sind aber etwas versteckt. Streaming , Uhr Ändern Sie die Sprache in Englisch, danach klicken Sie auf den Speicher-Button. Kehren Sie zur Filmauswahl zurück. Online-Shopping mit großer Auswahl im Prime Video Shop. Audio languages: English, Deutsch. Rentals Harry Potter und die Heiligtümer des Todes - Teil 2 [dt./OV] Format: Prime Video (streaming online video). Harry Potter und der Stein der Weisen. Mehr Infos: HD, SD | Englisch. Zum Streaming-Anbieter. 10,49€. Kaufen. 3,99€. Leihen. Harry Potter und der Stein der. Deswegen kannst Du Dich zurücklehnen und die Magie von Harry Potter nochmals genießen, weil die Streams störungsfrei und ohne.

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Geburtstag erfährt Harry Potter, dass seine verstorb enen Eltern mächtige Zauberer Deutsch, Englisch (OV), Dänisch, Französisch, Italienisch, Norwegisch. Audio languages: English, Deutsch. Rentals Harry Potter und die Heiligtümer des Todes - Teil 2 [dt./OV] Format: Prime Video (streaming online video). Gibt es Harry Potter und der Stein der Weisen auf Netflix, Amazon, Sky Ticket? Jetzt online Stream legal finden!

True, expectations reduce joy. Without going into the story I would certainly say Chris Columbus churns out a perfect pot-pourri of emotions, suspense and magic, delivering something appealing to all ages.

Every character brought to life on screen has done justice and leave an impression on you. Particularly notable performances by Emma Watson and Alan Rickman.

CGI are in plenty and made good of. The Quedditch game is picturised amazingly. The wizard's chess is treat to eyes.

Let's hope that the forthcoming HP series carries the similar magical touch. We live in a world where economics is hard.

This forces practical limitations when making a movie. Time and money are sadly finite, cinema owners need to be pleased as well as fans and computer animation ain't perfect.

Given these limitations, this film is about as close to human perfection as it is possible to achieve. However, it's extremely clear what an immense challenge it is to turn Philosopher's Stone from book to film.

Two and a half hours is not long to explore a wonderful, magical world. Furthermore, the directors have bowed to the inevitable temptation to show us things that cannot be communicated so effectively in a book.

The consequence is the feeling of a slightly breathless sprint in places. It also means that the movie has to stay true to the spirit of the book rather than to the letter of it.

There are omissions and there are changes. The changes that were made capture and maintain the spirit of the story really well; indeed, there are places where the story is more clearly and straightforwardly told in the movie than in the book.

Some aspects of the story are fleshed out on screen and the additions are delightful, completely in keeping with the flavour of the world.

The humour of the movie is inevitably more visual than that of the book; no belly laughs, but a lot of smiles. Some punchlines have changed, but the reasons why the jokes are funny remain the same.

Not knowing exactly what's coming next is a good thing! It's all kept tasteful, classy and above the belt; there's nothing to cringe about.

The voice acting is almost uniformly brilliant. However, there are occasions where some of the actors are required to convey high emotions and are only given a second or two of face shot, or head-and-shoulders shot, to do so.

This isn't as much freedom as they need and they fall a little short. The blame here must fall on the decision to give the actors too much to do too quickly, not on the actors themselves.

Other than these rare jarring instances, the physical acting is frequently excellent and seldom less than completely adequate, judged against the highest of targets set by the book's clear emotion descriptions.

Dan Radcliffe has the look, the mannerisms and the charm of Harry down pat. His strongest expressions are the bemusement that must be inherent at entering a world where science does not rule alone and the bravery that Harry shows in his achievements.

Emma Watson possibly slightly overplays Hermione, but does so in a fully endearing fashion. There's one scene which gives her too little chance to truly express panic; otherwise her performance needs no changes.

Rupert Grint has comic timing way beyond his years, hitting Ron's lines perfectly. Tom Felton makes a stylish Draco; Matt Lewis' Neville character suffers from the acceleration, so the finale does come as a slight characterisation shock.

The Phelps brothers' Fred and George are distinctively cheeky rather than proactive pranksters; Chris Rankin imbues Percy with genuine authority.

Sean Biggerstaff shines; his Oliver Wood is likeable and an ideal Quidditch team captain. Robbie Coltrane's Hagrid is the single dominant adult character, with maximum laughs extracted at every step.

The movie changes strongly exaggerate one side of Hagrid's nature, though; probably inevitable considering how much plot exposition his character has.

The professors are uniformly excellent, though Richard Harris' Dumbledore comes off as disappointingly flat until the end. The most ambitious point of the movie is the computer generated imagery.

The stills are wonderful, but the fastest animation is restricted by the limitations of real-world technology. The book makes extremely stringent demands of the CGI; sometimes their overall effect in the movie is merely good rather than insanely great.

Some of the magic spells and effects look awesome; others don't capture the imagination nearly so much.

The world cannot yet completely convincingly animate human beings doing inhuman things, which serves as a clear reminder that you need fictional magic to make the impossible possible.

The Quidditch scene is the most demanding of them all; while the sequence is action-packed and good-looking, disappointingly, it's not a total success.

Perhaps some of the scenes would have been better with more conventional special effects? For instance, the lower-tech-looking Sorting Hat scene is one of the most delightful of them all.

The set looks gorgeous. However, it may not stand up to detailed analysis. It's fairly obvious that things are shot in many disparate locations, rather than one big Hogwarts School near Hogsmeade.

The score is absolutely wonderful. The soundtrack may rely too heavily on The Famous Bit, but it's clear that the balance and mixture of things in the finished movie are exactly right.

The feel of the whole movie is everything fans could have hoped for. The dialogue is intensely measured, the colouring is suitably epic, the selection of what to leave in is really tightly considered.

You get chills in your spine at the right places; you feel the triumphs as all-encompassing endorphin highs. It's clear that the production have thought long, hard and lovingly.

They are true fans of the story, they are the right people for the job, it all bodes very well for the second film.

So it could never have been the film that the hyper-literalists were hoping for, then, but it is as good as the practicalities of the real world could possibly permit.

Don't expect miracles and you'll love it. I look forward to watching it again and again. A really satisfactory film!

I enjoyed this movie immensely. But, like "The Phantom Menace," I've had a very hard time viewing it objectively.

There was so much anticipation leading up to its release, I simply enjoyed the experience of being there. After Voldemort hits Harry with Avada Kedavra , Harry finds himself in a magical mist-filled version of King's Cross with none other than Dumbledore there to once again offer him words of wisdom.

While complimenting his own ability to turn a phrase, Dumbledore praises the importance of words.

He reminds us that words can hurt other people, but they can also be used to help each other. Love has always been at the heart of the story, and Dumbledore once again reminds Harry of its importance by telling him to pity those who live without it.

The things that happen inside of our heads our thoughts, dreams, and feelings can derive just as much meaning as any physical object.

We should champion love not just in our actions but also in our minds. Throughout the first four "Harry Potter" films, we watched Harry, Ron, Hermione, and their classmates blossom into bright young witches and wizards capable of meeting the most unusual challenges — and often with a dose of dry humor.

Oh dear, looks like someone Obliviated you. Fear not! The cure for that is to watch all the Harry Potter movies again so your mind will be as sharp as ever!

Not bad, not bad at all! Whip up some butterbeer and refresh your memory a bit by showing your little cousin the magic of the Harry Potter movies.

You sure are a Harry Potter pro. That, or you just have an extremely good memory. Skip to main content. Watch Blog Quizzes Photos. Sign in with your TV provider to watch full episodes.

Sign in and watch. Cedric helps his opponent in Harry Potter and the Goblet of Fire Harry and Cedric Diggory are competing against each other in the Triwizard Tournament, and even though the contest is every wizard for themselves, Cedric disregards his advantage in order to support Harry by telling him to open his Egg clue under water.

Hermione makes her family forget in Harry Potter and the Deathly Hallows Part 1 Hermione is preparing to go hunting for Horcruxes with Harry and Ron, and she knows the risks and dangers that her actions could place on her family.

Taking charge of a classroom in chaos because a professor fled the scene In Harry Potter and the Chamber of Secrets , Gilderoy Lockhart unleashes a wild pack of cornish pixies upon their Defense Against the Dark Arts class.

Never letting her background affect her success As a muggle-born, her classmates with wizard parents have an advantage over her, having over a decade more experience with, and exposure to, magic.

Punching Draco Malfoy Hermione breaks all female stereotypes when she smashes Malfoy in the face for being a heartless bully in Harry Potter and the Prisoner of Azkaban.

Choosing to stay with Harry on the hunt for the horcruxes rather than abandoning him when Ron leaves When Ron abandons the horcrux hunt in Harry Potter and the Deathly Hallows: Part.

Saving her friends — and the entire Wizarding Word — from mortal peril on countless occasions Using her knowledge to save Harry and Ron from Devil Snare, plotting an escape from Gringotts on the dragon, brilliantly using the time-turner to prevent the deaths of Sirius and Buckbeak, leading Dolores Umbridge into the forest to prevent her from using unforgivable curses on Harry, saving the entire Hogwarts staff and student body from a deadly basilisk even while she was PETRIFIED -- the list never ends.

Soon we must all face the choice between what is right and what is easy. Pity the living and, above all, those who live without love.

But why should that mean that it is not real? Description Throughout the first four "Harry Potter" films, we watched Harry, Ron, Hermione, and their classmates blossom into bright young witches and wizards capable of meeting the most unusual challenges — and often with a dose of dry humor.

And cleverness! There are more important things—friendship and bravery. Now, if you two don't mind, I'm going to bed before either of you come up with another silly idea to get us killed, or worse expelled.

Just thought you ought to know. It is our choices. If you're in the mood, as of April 1, you can now stream the first Harry Potter book on Audible —narrated by Stephen Fry—for free.

Nope, we're not joking. For more ways to live your best life plus all things Oprah, sign up for our newsletter!

Your Best Life. Type keyword s to search. Warner Bros. Related Stories. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

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Furthermore, the directors have bowed to the inevitable temptation to show us things that cannot be communicated so effectively in a book.

The consequence is the feeling of a slightly breathless sprint in places. It also means that the movie has to stay true to the spirit of the book rather than to the letter of it.

There are omissions and there are changes. The changes that were made capture and maintain the spirit of the story really well; indeed, there are places where the story is more clearly and straightforwardly told in the movie than in the book.

Some aspects of the story are fleshed out on screen and the additions are delightful, completely in keeping with the flavour of the world.

The humour of the movie is inevitably more visual than that of the book; no belly laughs, but a lot of smiles. Some punchlines have changed, but the reasons why the jokes are funny remain the same.

Not knowing exactly what's coming next is a good thing! It's all kept tasteful, classy and above the belt; there's nothing to cringe about.

The voice acting is almost uniformly brilliant. However, there are occasions where some of the actors are required to convey high emotions and are only given a second or two of face shot, or head-and-shoulders shot, to do so.

This isn't as much freedom as they need and they fall a little short. The blame here must fall on the decision to give the actors too much to do too quickly, not on the actors themselves.

Other than these rare jarring instances, the physical acting is frequently excellent and seldom less than completely adequate, judged against the highest of targets set by the book's clear emotion descriptions.

Dan Radcliffe has the look, the mannerisms and the charm of Harry down pat. His strongest expressions are the bemusement that must be inherent at entering a world where science does not rule alone and the bravery that Harry shows in his achievements.

Emma Watson possibly slightly overplays Hermione, but does so in a fully endearing fashion. There's one scene which gives her too little chance to truly express panic; otherwise her performance needs no changes.

Rupert Grint has comic timing way beyond his years, hitting Ron's lines perfectly. Tom Felton makes a stylish Draco; Matt Lewis' Neville character suffers from the acceleration, so the finale does come as a slight characterisation shock.

The Phelps brothers' Fred and George are distinctively cheeky rather than proactive pranksters; Chris Rankin imbues Percy with genuine authority.

Sean Biggerstaff shines; his Oliver Wood is likeable and an ideal Quidditch team captain. Robbie Coltrane's Hagrid is the single dominant adult character, with maximum laughs extracted at every step.

The movie changes strongly exaggerate one side of Hagrid's nature, though; probably inevitable considering how much plot exposition his character has.

The professors are uniformly excellent, though Richard Harris' Dumbledore comes off as disappointingly flat until the end. The most ambitious point of the movie is the computer generated imagery.

The stills are wonderful, but the fastest animation is restricted by the limitations of real-world technology. The book makes extremely stringent demands of the CGI; sometimes their overall effect in the movie is merely good rather than insanely great.

Some of the magic spells and effects look awesome; others don't capture the imagination nearly so much. The world cannot yet completely convincingly animate human beings doing inhuman things, which serves as a clear reminder that you need fictional magic to make the impossible possible.

The Quidditch scene is the most demanding of them all; while the sequence is action-packed and good-looking, disappointingly, it's not a total success.

Perhaps some of the scenes would have been better with more conventional special effects? For instance, the lower-tech-looking Sorting Hat scene is one of the most delightful of them all.

The set looks gorgeous. However, it may not stand up to detailed analysis. It's fairly obvious that things are shot in many disparate locations, rather than one big Hogwarts School near Hogsmeade.

The score is absolutely wonderful. The soundtrack may rely too heavily on The Famous Bit, but it's clear that the balance and mixture of things in the finished movie are exactly right.

The feel of the whole movie is everything fans could have hoped for. The dialogue is intensely measured, the colouring is suitably epic, the selection of what to leave in is really tightly considered.

You get chills in your spine at the right places; you feel the triumphs as all-encompassing endorphin highs. It's clear that the production have thought long, hard and lovingly.

They are true fans of the story, they are the right people for the job, it all bodes very well for the second film.

So it could never have been the film that the hyper-literalists were hoping for, then, but it is as good as the practicalities of the real world could possibly permit.

Don't expect miracles and you'll love it. I look forward to watching it again and again. A really satisfactory film!

I enjoyed this movie immensely. But, like "The Phantom Menace," I've had a very hard time viewing it objectively.

There was so much anticipation leading up to its release, I simply enjoyed the experience of being there. Having read all four books in the series a few times each, I am overly familiar with the events in the story.

As I watched the movie, my continuing thought was "How well will the next part of the story be translated to the screen? Critics talk about how incredibly faithful the movie is to the book, and perhaps I'd have had an easier time detaching the two in my mind had the movie set off on its own course.

Indeed, many classic children's movies, like "The Wizard of Oz" and "Mary Poppins," are so successful partly because they're so different from the books that inspired them.

But these are exceptions; in my experience, most children's movies reveal their weaknesses in how they diverge from the books upon which they're based.

And much of what makes the Harry Potter phenomenon unique is that it is the first time in ages that a children's book, without a movie accompanying it, has generated this much popularity.

According to an article I read a year ago, the universe of Harry Potter has become as real in the minds of youngsters and adults as that of a popular movie series like Star Wars.

Therefore, it will be very hard for any film based upon it to compete with it. In the minds of die-hard fans, any changes made to the story will be seen as desecrating the fantasy world that Rowling created.

That's why it's easy to understand why the filmmakers were so reluctant to change anything.

As a faithful rendering of the book squeezed into a two-and-a-half hour period, the movie is beautifully done. I don't have a single complaint about any of the actors, who successfully bring to life, with the aid of costume design and special effects, the many colorful characters from the book.

My favorite character, the giant Hagrid, is played by Robbie Coltrane, and I say with no exaggeration that he is exactly how I imagined him while reading the book.

It's as if they took the image in my mind and transferred it to the screen. While I had my own personal image of Snape for some reason, I always imagined him as the head villain from another Chris Columbus film, "Adventures in Babysitting" , Alan Rickman is perfect in the role.

I usually expect to have words of criticism for some performances, but I just don't. The remaining adult actors, including Maggie Smith as Professor McGonagall and Richard Harris as Albus Dumbledore, are as good as they possibly could be, and the kids do an excellent job of holding their own against these veterans.

Some have criticized Daniel Radcliffe for appearing too subdued in the title role, but that's exactly how the character is portrayed in the book: modest, unassuming, and laid-back.

The kids who play Harry's two best friends are flawless. I had a lot of worries about the fact that it was being directed by Chris Columbus, whose entire directorial career so far has consisted of over-the-top slapstick films.

I was pleasantly surprised that he did not direct the Harry Potter film in this way. Except for brief moments like the children's delayed reaction to a giant three-headed dog they encounter and Harry's swallowing the quaffle ball, there is nothing here to remind us that this film is directed by the same person who gave us films like "Home Alone" and "Mrs.

I would have liked to see a little more emotion on the actors' faces at certain times. Overall, however, his restraint works nicely in giving the film the kind of believability the book possesses.

But much is left out. Harry's caretaker Uncle Vernon, a prominent character in the book, is given less attention in the movie than some of the bit characters.

The gently satirical aspects of Hogwarts School aren't in the movie at all. We never see the ghostly history teacher who died several years back but kept on teaching.

Lines like the following--"Professor McGonagall watched [her students] turn a mouse into a snuffbox--points were given for how pretty the snuffbox was, but taken away if it had whiskers"--find no equivalent in the movie.

The movie does include platform nine-and-three-quarters, though the way the kids disappear into the wall isn't as mysterious as I had visualized, and the sorting hat is there, minus the great poem explaining the differences between the four schools.

Not that I'm blaming the movie for omitting some details. Some things from the book would not have translated easily to the screen, and it would have been very difficult to stick everything in.

Had Columbus done so and allowed the film to be as long as necessary eight hours, maybe? The problem is that the amusing details are much of what make Harry Potter such a special story.

A whole universe is created in Rowling's series, in which a magical society exists within our own ordinary "muggle" world and is kept secret by a bureaucracy with its own rules, history and politics.

The way magic is treated in her books, not as something medieval but as very similar to the way our own contemporary world works, is a large part of their charm.

Take away these details, and you're left with a fairly conventional tale of a young wizard fighting an evil sorcerer. Although the audience I was with broke into applause as soon as the movie ended something I've never seen happen before, though I don't go to the theater that often , some people have complained about the movie dragging at certain points.

I didn't have that problem, but, as I said, I wasn't really trying to get involved in the movie's story. After thinking about it, it does seem like parts of the movie fail to convey a sense of urgency.

Why should this be? I never felt that way when reading the books, and this is without a doubt the very same story. The answer, I think, is that the books portray much of Harry's anxiety in trying to succeed in school for if he's kicked out, he'll go straight back to his horrible uncle and fit in with the kids there.

The movie doesn't tap into these anxieties enough, so why should we care whether he wins the Quidditch match other than that he survives in one piece and gets through the school year?

The only real suspense in the movie after he arrives at Hogwarts comes from the story of Lord Voldemort returning, which in the book is almost secondary.

Harry's adventures getting along in the school are fun and interesting, but as they are presented to us in the film, there isn't enough tying them all together.

What we have here is a serviceable dramatization of a wonderful children's series, but it doesn't entirely succeed in standing on its own.

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Having read all four books in the series a few times each, I am overly exzentrik with the events in the story. And much of what makes the Harry Staffel 3 deutsch stream phenomenon unique is that it is the first time in ages that more info children's book, go here a movie accompanying it, has generated this much popularity. Being so faithful to the book is both the movie's strength and weakness. But much is left. Harry's adventures getting along in the school are fun and interesting, but as they are presented to us in the check this out, there isn't enough tying them all. It's all kept tasteful, classy and above the belt; there's nothing to cringe. AG] sub download 0 English subtitle hpss sub download 0 English subtitle Harry. AG] sub download 0 English subtitle Harry.

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