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Top 10 Filmtipp - (2)

When unscrewed, the brush is covered in liquid Tipp-Ex which is then painted over the mistake. However, it is still possible to see that Tipp-Ex has been used, and also the original content if the paper is held up to a light.

If the contents of a Tipp-Ex bottle have been exposed to too much air for example, if the cap has been unscrewed too long or if the bottle is half-full and there is air filling the space , the Tipp-Ex becomes thicker, and sometimes even solidifies.

To help prevent this, Tipp-Ex released a product called " Tipp-Ex thinner", a few drops of which are mixed with the contents of a bottle of partially dried Tipp-Ex to thin it.

This extends the lifetime of a Tipp-Ex bottle. One must write with a ball point pen on top of Tipp-ex, as a liquid ink pen will smudge.

Gel ink will require a few seconds to fully dry, but can be used if no ball point pen is available. The organic solvent 1,1,1-trichloroethane was originally used as a thinner in the product.

This solvent is readily absorbed by the lungs via inhalation. It passes readily through the blood—brain barrier and may be lethal following acute exposure.

The reason given was the possibility of the solvent 1,1,1-trichloroethane being inhaled by children as a form of substance abuse.

While a number of schools in the UK are known to have introduced similar rules, the AEA is the only local education authority to have extended it to an entire region.

The decision was revoked six months later following complaints from staff, pupils and parents. From Wikipedia, the free encyclopedia.

Redirected from Tippex. Brand of correction fluid. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Free Patents Online. Deutsches Patent und Merkenamt in German.

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One must write with a ball point pen on top of Tipp-ex, as a liquid ink pen will smudge. Gel ink will require a few seconds to fully dry, but can be used if no ball point pen is available.

The organic solvent 1,1,1-trichloroethane was originally used as a thinner in the product. This solvent is readily absorbed by the lungs via inhalation.

It passes readily through the blood—brain barrier and may be lethal following acute exposure. The reason given was the possibility of the solvent 1,1,1-trichloroethane being inhaled by children as a form of substance abuse.

While a number of schools in the UK are known to have introduced similar rules, the AEA is the only local education authority to have extended it to an entire region.

The decision was revoked six months later following complaints from staff, pupils and parents. From Wikipedia, the free encyclopedia.

Redirected from Tippex. Brand of correction fluid. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Free Patents Online. Deutsches Patent und Merkenamt in German.

Archived from the original on 1 July Environment Agency. Archived from the original on 4 February The Consortium. June Archived from the original PDF on 25 November Categories : Correction instruments Stationery.

Hidden categories: CS1 German-language sources de Articles with short description Articles needing additional references from February All articles needing additional references All articles with unsourced statements Articles with unsourced statements from February Articles with unsourced statements from January Articles with unsourced statements from April Commons category link from Wikidata.

Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file. As a teenager, she took part in department store fashion shows.

Her parents relocated to California while she was a high-school student at West High School in Minneapolis. Within a year, she made her unofficial film debut as an uncredited extra in the musical comedy The Petty Girl.

In interviews, she referred to The Birds , her first credited role, as her first film. In , after seven years of marriage to the actor Peter Griffith , Hedren divorced and returned to California with her daughter, Melanie , and rented an expensive home in Sherman Oaks.

She later said, "I thought I could continue my career as it had been in New York. I thought everything would be just fine, and it wasn't.

So I thought, well, I don't type, what shall I do? On October 13, , she received a call from an agent who told her a producer was interested in working with her.

When she was told it was Alfred Hitchcock , who while watching The Today Show , saw her in a commercial for a diet drink called Sego , and she agreed to sign a seven-year contract.

During their first meeting, the two talked about everything except the role for which he was considering her. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents.

Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne , Grace Kelly , Claudette Colbert , and others, but which is now quite rare.

According to Balsam, Hedren was very nervous, but studied every line, did every move she was asked to, and tried to do everything right.

As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality.

Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma , and Lew Wasserman , head of Universal, at one of Hitchcock's favorite restaurants, Chasen's.

There, she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds.

It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.

The Birds was Hedren's screen debut. Hitchcock became her drama coach, and gave her an education in film-making, as she attended many of the production meetings such as script, music, or photography conferences.

She said, "He gives his actors very little leeway. He'll listen, but he has a very definite plan in mind as to how he wants his characters to act.

With me, it was understandable, because I was not an actress of stature. I welcomed his guidance. During the six months of principal photography, Hedren's schedule was tight, as she was only given one afternoon off a week.

In a state of exhaustion, when one of the birds gouged her cheek and narrowly missed her eye, Hedren sat down on the set and began crying.

Hitchcock protested, according to Hedren, saying nobody but her was left to film. The doctor's reply was, "Are you trying to kill her?

Universal's executives, who did not back Hitchcock's decision to hire Hedren in the first place, were impressed with her performance and Wasserman described it as "remarkable".

She displayed jaunty assuredness, pertness, an attractive throw of the head. And she memorized and read lines extraordinarily well and is sharper in expression.

She virtually has to carry the picture alone for the first minute stretch, prior to the advent of the first wave of organized attackers from the sky.

Miss Hedren has a star quality and Hitchcock has provided her with a potent vehicle to launch her career". Her role as Melanie Daniels was named by Premiere as one of the greatest movie characters of all time.

Hitchcock was so impressed with Hedren's acting abilities, he decided to offer her the leading role of his next film, Marnie , a romantic drama and psychological thriller from the novel by Winston Graham , during the filming of The Birds.

I thought Marnie was an extremely interesting role to play and a once-in-a-lifetime opportunity". Hedren recalled Marnie as her favorite of the two films she did with Hitchcock for the challenge of playing an emotionally battered young woman who travels from city to city assuming various guises to rob her employers.

Variety wrote, "Hedren returns in a particularly demanding role. Miss Hedren, undertaking a role originally offered Grace Kelly for a resumption of her screen career, lends credence to a part never sympathetic.

It's a difficult assignment which she fulfills satisfactorily. It was taboo to discuss sexuality and psychology and to put all that into a film was shocking.

Marnie was the second and last collaboration between Hedren and Hitchcock. In , she admitted that a major lifestyle difference caused a split in their relationship.

I cannot be possessed by anyone. But, then, that's my own hangup". I didn't want it to be taken advantage of, twisted, turned, and made into an even uglier situation than it was".

According to Spoto's book, Hitchcock brought in two members of his crew during the filming of The Birds and asked them to keep careful watch on the activities of Hedren, "when she left the set—where she went, who she visited, how she spent her free time".

He told the cast and crew they were not allowed to talk to her. Hedren's co-star in The Birds , Rod Taylor , later remembered, "Hitch was becoming very domineering and covetous of 'Tippi', and it was very difficult for her.

No one was permitted to come physically close to her during the production. During the filming of Marnie , Hedren found Hitchcock's behavior toward her increasingly difficult to bear as filming progressed.

He always wanted a glass of wine or champagne, with me alone, at the end of the day. He was really isolating me from everyone".

Nothing could have been more horrible for me than to arrive on that movie set and to see her being treated the way she was". Hitchcock revealed to Hedren one day he had a recurring dream where she came up to him and said, "Hitch, I love you—I'll always love you".

When she heard this, Hedren replied "But it was a dream. Just a dream", and excused herself from his presence. Hitchcock refused, according to his biographer, because he claimed the break would affect her performance.

Hedren then told him Marnie would be their last film together and later recalled how Hitchcock told her he would destroy her career.

He said: 'You can't. You have your daughter to support, and your parents are getting older'. I said: 'Nobody would want me to be in this situation, I want to get out'.

And he said: 'I'll ruin your career'. I said: 'Do what you have to do'. And he did ruin my career. He kept me under contract, paid me to do nothing for close on two years".

Hedren felt so humiliated, she called the director a "fat pig" in front of people on the set. She referred to my weight".

The two communicated only through a third party for the rest of the film. Hedren's hairdresser, Virginia Darcy, even told Hitchcock he should not be possessive with Hedren.

When she was first told about the project, Hedren said she had mixed feelings about it, "To be still alive and have a film made about you is an awesome and incredibly frightening experience".

Although she was thrilled with the choice of Miller, Hedren was worried she would not be portrayed "as strong a character as I was—and still am.

I had to be extremely strong to fight off Mr. She described the moment she saw the film as "probably one of the most involved, emotionally tense 90 minutes that I have ever lived".

If it had been constantly the way we have had to do it in this film, I would have been long gone". He was very funny at times.

He was incredibly brilliant in his field". And wouldn't you think if he was that way, I would've seen it or at least seen him with somebody?

I think it's unfortunate when someone's no longer around and can't defend themselves". Hedren herself was asked why her account of sexual harassment contrasted with the many interviews she gave about her time with Hitchcock, her presence at the AFI Life Achievement Award ceremony honoring him in , and her presence at his funeral.

That time of my life was over. I still admire the man for who he was". The man who was the artist. I mean, what he gave to the motion picture industry can never be taken away from him and I certainly wouldn't want to try.

But on the other side, there is that dark side that was really awful". She was told by writer-director Charlie Chaplin that she was offered a major supporting role as Brando's estranged wife and had to accept the role without reading the script.

She asked Chaplin why he lied to her. When I said, 'Why didn't you just tell me that it was a cameo? I would have done this film anyway,' he said, 'I didn't think you would come,' which was very sweet.

He was a very clever man. She later said, "I wish someone would have been allowed to do a documentary. The way he directed was unlike anyone I ever saw.

He acted out all the parts himself. He did Sophia's part, then Marlon's part, then mine, and then he'd say, 'Okay, now you can do it. It was incredible.

None of us believed it. Marlon hated it. After the release of A Countess from Hong Kong , Hedren's career was described as "spectacular" by the press.

She told a reporter at the time, "I don't want to wait myself out of this business, but working for Hitch and Charlie has been very special to me, and now I'm going to wait for something special to come along".

From to , she guest-starred twice on The Courtship of Eddie's Father. She agreed to take part in Satan's Harvest and Mister Kingstreet's War —which were shot back-to-back despite the discrepancy in their release dates—for the sole reason that they were being filmed in Africa.

Hedren felt that the film "deals with vital themes—themes like the decline in importance of ideas like possession and jealousy and, by inference, marriage.

I have four teenaged children and I think this picture says some valuable things to them. He's the type who won't stand for sustained down feelings".

Hedren and husband Noel Marshall watched a pride of lions move into a house after a game warden moved out in , during the filming of Satan's Harvest in Africa.

And they were so funny we knew we had an idea for a picture. Hedren played the lead role and co-starred with her daughter Melanie, husband Marshall, and his own sons Jerry and John.

They attempted to rent Hollywood animals for a nine-month shoot, but upon approaching animal trainers for support, they were discouraged and nobody would rent them 30 or 40 lions, as the script required, because of their natural tendency to fight.

Animal trainer Ron Oxley told them, "to get to know about lions, you've got to live with them for a while".

They got permission there to rescue and raise several lions, tigers, African elephants, and other exotic felines. Filming started in and took five years just to complete the photography.

Every scene involving lions was improvised and shot with four or sometimes eight cameras. Melanie Griffith was also attacked, receiving 50 stitches to her face; it was feared that she would lose an eye, but she recovered and was not disfigured.

In one of those incidents, he was clawed by a cheetah when protecting the animals during a bushfire that occurred in All animals were evacuated, and several years were needed for him to recover from his injuries.

Hedren said that they were all determined to finish the film: "We were so sure the film was going to be a success that we thought everything financing the ranch and the lions, etc.

Roar was released worldwide in with the exception of the United States, because according to Hedren, "The United States distributors wanted the lion's share of the profits, and we thought it ought to go to the beautiful animals that made the movie.

In , she established the nonprofit The Roar Foundation to take care of the big cats. After Roar , Hedren accepted any low-budget television or cinema role that could help bring funds to her foundation to provide protection, shelter, care, and maintenance for the animals at the Shambala Preserve.

In , she co-starred with Leslie Nielsen in Foxfire Light. She appeared in several television series, including Hart to Hart in and the late-night horror series Tales from the Darkside in In the pilot episode of The New Alfred Hitchcock Presents , she made a brief appearance as a waitress in a bar who berates a customer, played by her daughter Melanie Griffith.

In , she had a nonspeaking, minor part as a wealthy widow romanced by Michael Keaton in the film Pacific Heights , which also starred her daughter.

In , Hedren appeared in the made-for-cable sequel, The Birds II: Land's End , in a role different from the one she had played in the original.

She was, however, disappointed that she did not get a starring role and admitted before the film's release, "I wish that it was more than a cameo.

I think they made a mistake by not doing that, but it has helped me to feed my lions and tigers. From to , Hedren had a guest-starring role in Dream On.

The sitcom gave her "the opportunity to do comedy. I'd never done comedy before and it was just wonderful for me to be able to do that.

Everybody just thought of me as a serious actress, so I owe that to John Landis the executive producer , giving me that opportunity.

It was a unique kind of film to do also, because of the fact that it had no dialogue in it. It was very, very different". Hedren's character, Alfreda Perkins, was a reference to Alfred Hitchcock and actor Anthony Perkins , who starred in the director's film Psycho.

After appearing in a number of little-exposed films between and , Hedren had a small but showy role in the David O.

Russell comedy I Heart Huckabees , as a foul-mouthed attractive older woman who slaps Jude Law in an elevator.

She felt that the director, who had a reputation for being difficult, was "totally crazy", but also "very interesting. I was able to work well with him.

How is this going to work? In , Hedren and her daughter guest-starred together on an episode of Raising Hope. That same year, she appeared in Free Samples , an indie film where she had a supporting role as an old movie star.

In , she made an appearance as herself in the fourth-season finale of Cougar Town. Hedren published her autobiography, Tippi: A Memoir , co-written with Lindsay Harrison, in through William Morrow and Company , as she felt it was "about time I stop letting everyone else tell my story and finally tell it myself.

A Louis Vuitton ad campaign in paid tribute to Hedren and Hitchcock with a modern-day interpretation of the deserted railway station opening sequence of Marnie.

Naomi Watts stated that her character interpretation in Mulholland Drive was influenced by the look and performances of Hedren in Hitchcock films.

Off screen, the film's director David O. Russell introduced them both, and Watts said of Hedren: "I was pretty fascinated by her then, because people have often said we're alike.

Hedren later co-wrote Cats of Shambala about the experience. Hedren ended her marriage to Marshall a year later in Shambala houses some 70 animals.

Hedren lives on the Shambala site and conducts monthly tours of the preserve for the public. In a interview with ABILITY Magazine , Hedren emphasized that there is no human contact with the animals and that all of the cats are spayed and neutered, since they are being raised in captivity.

She took in and cared for Togar, a lion that belonged to Anton LaVey , after he was told by San Francisco officials that he could not keep a fully grown lion as a house pet.

Thriller died in June of lung cancer. On December 3, , Shambala Preserve made headlines when Chris Orr, a caretaker for the animals, was mauled by a tiger named Alexander.

The animals at the preserve served as the initial inspiration for the life's work of artist A. London , who started her career working for Hedren.

As of , Hedren still maintains more than a dozen lions and tigers; her granddaughter Dakota Johnson is involved in their care.

In , Hedren met and married year-old future advertising executive Peter Griffith. Their daughter, actress Melanie Griffith , was born on August 9, They were divorced in On September 22, , Hedren married her then-agent Noel Marshall , who later produced three of her films; they divorced in In , she married steel manufacturer Luis Barrenechea, but they divorced in Hedren was engaged to veterinarian Martin Dinnes from [] [] until their breakup in mid Hedren played a role in the development of Vietnamese-American nail salons in the United States.

Hedren suffered from severe and persistent headaches for a long time, so was unable to accept several projects, including a television series produced by and starring Betty White.

After she got a titanium plate put in her neck, she improved and then agreed, with the blessing of her doctor, to take the part of a dying woman in the soap opera Fashion House.

While she was rehearsing a scene, a gallon of water fell from the ceiling onto her head. The headaches returned after the incident and persisted.

Hedren filed a suit to receive recompense following her inability to work. Hedren's lawyer, Joseph Allen, made a mistake in his discussions with the defendants that allowed them to block him from filing suit.

Hedren sued Allen for malpractice.

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